Further experiments with visible mending

After my first successful visible mending experiment last month, I decided to get a bit more ambitious. I went to Michael's and invested five bucks in 36 skeins of embroidery floss in assorted bright colors, allowing me to add more techniques—darning, embroidery, and sashiko—to my mending repertoire. 

The first repair I attempted with the new thread was darning another threadbare patch on one of Brian's jeans pockets. I already knew the basic idea—make long stitches going in one direction across the hole, then make perpendicular stitches that weave in and out through the first set—but I also watched a couple of videos about it online and did my best to copy their technique. Unfortunately, I didn't quite get the hang of it right away. I ended up placing the vertical stitches too close together, making it difficult to weave through them when going horizontally. As a result, the darned area came out a bit uneven and lumpy. Brian said he liked it anyway, but I'm not as happy with it as I was with my previous patching repair. 

So for my next repair, I decided to move away from darning and try a hybrid technique: a patch on the inside of the garment, secured in place with decorative stitching. The garment in question was my old pair of black jeans that had worn out in the thigh area. I'd already patched it once before, but the area around the patch had now worn out, leaving little sections of skin exposed. I thought at this point there was nothing to do but downgrade them to "grubby" pants for doing dirty jobs around the house and yard. But since I had nothing to lose at this point, I figured I might as well attempt a visible mend on these as well. 

First, I removed the old patches and tidied up the edges of the holes with scissors. Then I went back to that same old striped flannel shirt I'd used for patching Brian's pants and cut out a couple of pieces from the sleeve, large enough to cover the new, larger holes. I sewed those colorful patches to the inside of the pants using my usual whip-stitch technique. Then I turned the jeans right-side-out, selected a dark blue embroidery thread that coordinated with the fabric, and began top-stitching the patch to the intact parts of the jeans. 

I started out attempting to make a neat, decorative running stitch, as shown in this NPR article, but it came out too wonky-looking. My stitches were uneven in length and my lines had a tendency to wobble. So I picked all that out and started over using the seed stitch technique shown in this video, which is supposed to look random and chaotic. This came much more naturally to me. It was actually kind of fun pushing the needle in at a random spot, then taking off in a random direction from there, making stitches of varying length and even doubling back as needed to cover bare patches. It took quite a while, but eventually I ended up with a unique-looking repair that I wouldn't be embarrassed to flash a glimpse of to strangers while walking down the street. 

But while the patch-and-embroider technique worked well for these large holes, it didn't seem like it would be much use for the small holes in Brian's jeans pockets. For one thing, there's no good way to sew a patch to the inside of the jeans pocket without removing it. So for his last damaged pocket, I went back to exterior patching. I still had one more pocket flap on that old trusty flannel shirt that I could have used, but instead I decided to try repurposing an old, colorful fabric mask leftover from the early days of the pandemic. (I didn't think we'd be needing it again, since even if a new wave of COVID should strike, we now have some of the much more effective N95 masks to use instead.)

After cutting off the ear loops, I experimented with different placements for the patch that wouldn't require cutting it. (Having a piece of fabric that was already neatly hemmed on all four sides, I didn't want to mess with it.) I considered placing it vertically up the length of the pocket and tucking the end inside, but I feared the doubled-over fabric might be too bulky and interfere with the use of the pocket. So instead I just stitched it across the entire width of the pocket, overlapping it on both sides. Only after I had it in place did I realize I'd actually sewn it on upside down, with the folds of the mask pointing up instead of down. But since it didn't have to function as a mask, that didn't really seem to matter. I just tacked the flaps down with a set of loose stitches so they wouldn't flop around.

Unfortunately, after all these successes came a not-unexpected setback. The original pair of pants that started me off on this visible-mending kick, which already had patches on both knees as well as the back pocket, developed a visibly threadbare patch on the thigh. I didn't think adding a pocket patch in this area would work very well, and I feared that the patch-and-embroider technique I'd used on my own jeans would be a little too messy for such a visible spot. But I also couldn't bear the idea of seeing these jeans retired when I'd just managed to get them patched so nicely.

Hunting around for a way to mend the threadbare patch, I found myself turning yet again to that old striped flannel shirt. When cutting up the sleeve to make the patches for my jeans, I'd saved the cuff—a nice, long strip of fabric, ready-hemmed on all sides. What if I removed the cuff button on one end, stitched up the buttonhole, and sewed this long piece across the entire width of the jeans leg? It sounded kind of nutty, but Brian okayed the idea, so I gave it a go. 

The result isn't perfect. Even though I carefully positioned the patch and pinned it in place before stitching, it still somehow managed to come out a bit askew. But Brian doesn't mind it. In fact, he seems rather tickled with his new Franken-pants with their motley assortment of patches. And I'm quite pleased that he's willing to be a walking showcase for my  visible mending efforts.